Introduction:
among
us
years,
words that are familiar
prayers
known by heart
snatches
of song that take us back
to
a specific year, place
feeling
that
waking up
to
surprise headlines
Dewey
defeats Truman
Pearl
Harbor, or being there
9/11,
never forgetting
as
if yesterday where we were
november
22, 1963
or
a particular september 8 or october 1st
when
we left home and how
we
came to this today
our
toes into the tide
of
an already swirling millennium
WHO HAS KNOWN (sound/photo
montage St. Louis Jesuits, Gentle Night, OCP)
Oh the depths of the riches
of God
And the breath of the wisdom
and knowledge of God
For who has known the mind
of God
to Him be glory
forever.
The virgin will carry a child
and give birth
And his name shall be called
Emmanuel
For who has known the mind
of God
to Him be glory forever.
The people in darkness have
seen a great light
For a child has been born,
his dominion is wide
For who has known the mind
of God
to Him be glory forever.
what
we have before us
is
the sea
yet
another invitation
to
put out into the deep
we
are drawn to this place
living
water, earth that is silken
under
foot, currents whipping above
our
heads, and whispers
this
is a place of vocation
being
caught up, carried away
by
adventure, the risk
of
a promise of life that defies
description,
then expectation
“Let mission measure what you have and what you do with what you have.” (TBC)
photo of reflection of cathedral under water in Branch Brook Park
would
you
if
your sister
your
brother, your father, your mother
if
a stranger, a straggler, a neighbor
if
the next moment, the coming season
if
your life, your soul, perhaps our planet
depended
upon this,
would
you
work with and for the poor
alleviate suffering and dispel ignorance
promote social justice (1993 General Assembly)
(provincial
missioning card)
Why wouldn’t we look
deeply at our current realities through a reflection of our experiences on water in interaction with our Vision Statement.
Reflection. Action. Transformation.
One of our sisters begins
a discussion with her students by telling them in developing countries women walk an average of four miles each day “to
fetch water.” It is not just the fact, but the mental image of that reality that becomes the education.. Who goes to
get the water? Is it the mother? How long does it take—there and back? What is the weather like on this day we have
in our mind? Does she have to bring her young children? How much water can be carried at one time? How heavy are the containers? At what age do girls begin this
task? In Morocco, school attendance for girls rose 20% over 4 years when water taps were moved closer to the villages.
“.
. .ministry requires a creative response to the needs of the people of God. Faithful to the Gospel and in light of our growing
awareness of global interdependence, we place ourselves on the side of the poor.”
At home we carry our own
water with us, small plastic bottles, maybe flavored. Gourmet water, maybe carbonated. We may not realize it, but even store
brand bottled water is $4.00 a gallon as costly as gasoline. Water is the new oil.
“We commit ourselves
to reverence and care for the earth and to live simply in a world of materialism.”
Some wars are over questions
of land, others, over oil, the next may be over water resources. Our use of oil, of energy may turn water against us, as well
as the non-Christian peoples of the world. We have seen what happens when water
rises and washes over larger areas of continents, when hurricanes strengthen from high ocean temperatures, when arrogance
and incompetence and unknowing mix as surely as currents of wind and water.
“We commit ourselves
to work toward the elimination of the struggle for power by embracing gentleness and courage in a world of oppression and
violence.”
In order to meet the demand
for cheap beef for the developed world, rain forests are slashed and burned. This
eliminates the major natural way of removing greenhouse gases from the air and thus contributes to global warming.
“We commit ourselves
to work toward political, economic, social, and ecclesial systems that foster justice for all.”
you,
my friends, my sisters, remember your own story
in
another place among another group of women
you’re
hearing ours
together
they form
our
beginnings in charity
a
handful of beginnings among many
origins
are the stuff of myth
myths
that are our footprints
one
path up the mountain
from
this point we see
the
meeting of waters
the
muddy and the clear
moving
together
always
moving
When we are asked to deepen
our appreciation of Vincent, Elizabeth and Mother Xavier as we move to the future, we do so by revisiting their less often
told stories. Those stories serve as the lens of our own struggles with fidelity—not the successes, not the new buildings,
fresh initiatives or even the satisfied piling up of year after year of September openings, but the Monday morning risings
that are our acts of fidelity.
we
are drawn to this place
with
the best of intentions
and
at times
we
are the dry clumps of grass
waiting
for the sea to be pulled
in
and over us
show
we can hold firm
There is a footprint, so
to speak of Mother Xavier in the census record of 1900. It provides a tender moment spanning generations, centuries.
like
a mother
you
were there waiting for us
your
story and your secrets
just
one question among us
“tell
me how it was for you in your time.”
She is listed there. She
is listed as “head” the others as inmates. We know she found administration difficult: but her life had been hard
for a long time. Leaving Ireland just ahead of the Great Hunger, it may have been adventure or more likely necessity to her
to lead an older sister on the voyage to America. But how was it that she found her way, a lace-maker, a sister considered
frail who worked at the orphanage, and came in 1859 to stay in Newark and do what she did. God alone!
a
wide net thrown back
to
dark days, to plain
street,
cobbled roads and
promise,
visions tossed up
like
a dozen sizzling suns
clever
fisher, you pull us in
safe
toward a difficult shore
We want to compare these
with our own experiences. We want to feel their pull with the same intensity as the more famous quotes attributed to our founders.
How could she keep going from strength to strength. And for decades. We might
like to share our own
experiences with her:
motherhouse
we
move to yet another place
not
knowing exactly where
to
find the serving spoons, the fuse box
or
if there is sufficient
light
for the fragile
plants
some will insist on carrying
like
the statue on michaelmas
where
we are going
is
where we are already
standing
curious as moses
Do we think about the missions
closed in those early days, how curriculums and plans were proposed and abandoned for seen or unforeseen circumstances, how
misunderstandings with bishops, priests, sister servants, and former members were handled, easily or not? What was the discomfort, insecurity and heartache that lay just beneath the handwritten words that are
still there in the correspondence?
Where do we place our burdens:
soft
sunlight. we are
grateful
for the small mercies
the
cool speckled leaf
Did Mother Xavier and the
early members of the Company of Charity find creativity in their contemplation, their wits, their drive, the desire to be
of service? What did “God Alone” mean to them? Was it like Vincent’s “holy indifference”? What
were their experiences of wisdom, love, friendship and sacrament? Who were these flesh and bone and soul women and aren’t
we like them?
some
have the eyes for stars, words
for
a particular shade of moon, predictions
for
tomorrow’s air, the weight of white
chips,
shavings from the blue-night sky
others
have the gift for threads
knotwork
of details for company or truth
like
a tangled silver chain among friends
glimmers
of polished links turned arm into arm
shortening
the road
And we have gone from St.
Patrick’s on Bleeker Street to TBC (Toward Boundless Charity, the Constitution of the Sisters of Charity) a huge leap
into the future and it still inspires us with language that points to our current
challenges.
Ours is a “mission
spirituality” that calls us “to reach out into the world, to feel its want—and through this common experience
to uncover anew the God of our times.” “In the concrete we are avowed to answer with our entire lives today’s
abrasive questions: Is such a Gospel still viable? Can we who hear it create a peace, live in love, and die alive for another’s
sake?” “. . .all possible forms of spirituality meet, and through faith, each member becomes “sister”
to the whole world of “others.”
We are directed to work “in
the world and pray(s) in the idiom of its work.
What makes our tomorrows
or collection of tomorrows different than that of the founders.
Instrumental montage: new
chapel at Maris Stella, the jetty at the lighthouse, a small bird on a rock in Donegal.
tree
of life
some
trees give
shade,
the briefest showers of pink-edged
china
petals in the face of wind
the
frosted whiteness of birch or the witness of oak
some
trees are like that
we are not some trees
we
are the brave ones, native to this city block
with
the stinky, gooey blood of battle
around
the gnashes, the gnarly bumps
we are these
proud
trees, kin to the tree of life
in
a distant eden. here on thomas street
magaly,
edwin, and latoya together
stretch
to look up to see
tiny
swatches of green wave teasingly
safe
at the top, then turn insides out
to
announce the coming of yet another storm
we are not just some trees
look
at the way we have grown up fast
along
the concrete borders of a street
with
red-clay rowhouses, the repetitious sounds of letters
escaping
through kinderclass windows and the left-behind-for-us
memories
of other families who have known
what
we now see
Ending:
we
are going
again
to the edge
there
is nothing ahead
but
mission
we
are pulling out
again
toward that boundless
charity,
putting ourselves out there
into
the deep
Credits:
-
Poetry, script, design:
Deborah L. Humphreys SC
-
Theme development: Eileen Bradshaw
SC, Ellen Dauwer SC, June Favata SC, Carol Johnston SC, Noreen Neary SC, Mary Anne Rattigan SC and Marilyn Thie SC
-
Voices: Mary Dwyer SC, Noreen Neary SC, Deborah
Humphreys SC
-
Photography: Deborah L. Humphreys SC, Soisear
McKinney, Denis P. Humphreys, Pat Gordon (St. Vincent Academy), Donna Sartor (Communications Office, Sisters of Charity),
Mary Dwyer SC, Judy Mertz SC (Josephine's Place) Lee, Min-Joo (photo of "Reflections of My Mind), and Irving Amen (photo of
woodcut "the Dialogue")
-
Music: Duncan Beattie "nice E" and open source
C", Bullon, "domingo por la tarde" and Colin Mutchler "My Life" all of these artists are on www.ccmixter.com with a Creative Commons Attribution-Non-Commercial 2.5 License. Zygote Productions with Africeltic Andean Alambic on
www.soundclick.com hold a CC Attribution-Share Alike 2.0 license. Creative Commons home page is www.creativecommons.org
-
Additional music: St. Louis Jesuits "Who Has Known"
from Gentle Night, Solas, "Patrick's Journey" from Solas an Chroi (OCP)
-
Some of the poetry used in this presentation is excerpted
from Conventional Wisdom by Deborah L. Humphreys SC (Wasteland Press, 2003)